Pilates instructor

The Best Tools to Maximize Your Pilates Assessment

What information can we gather by watching someone perform the goal post?

When assessing the Goal-Post exercise, the client is asked to do three things:

  • Stand up against the wall with their head against the wall
  • Bring the arms to 90/90
  • Bring the arms into a high “V” position

Before cueing the exercise, the first thing to look for is axial alignment.  Can the client position their head over their thorax and thorax over their pelvis while maintaining natural lumbar and cervical curves?

After looking at axial alignment, we look to see what is happening in the shoulder region?

What are some of the things required to be able to bring the arms into a 90/90 position and into a “V” overhead?

  • Shoulder Flexion
  • Shoulder Rotation
  • General Shoulder Mobility

Question: What else connects with shoulder mobility? 

Answer: Thoracic mobility -This is one of the things to look for first when moving into the goal post as it directly impacts shoulder mobility.  If the thoracic spine doesn’t move into extension, the following might be seen:

  • The head comes away from the wall
  • The shoulder girdle can’t slide down into its 90/90 position
  • The back may come away from the wall

Other tests and measures to use to confirm the possibility of a loss of thoracic mobility depend on how other aspects of the movement are functioning.

  • What can be ruled out? 
  • Could it be a loss of scapular mobility? 
  • Could it be a tight pectoral girdle or a loss of humeral rotation in the shoulder such as a rotator cuff injury? 

During the assessment keep in mind, that it could be any of these things and then begin ruling them out.  

Video of Brent teaching assessment using the goal-post exercise.

Faulty movement patterns that could be present:

  • The shoulders hiking up to perform the movement (bilaterally)
  • The pronation of the shoulders (very common

Critical Reasoning: Is the client’s limitation in the thoracic spine or in the shoulder girdle?  What other tests might we perform to distinguish between the two?

Asymmetries during Assessment:

When you see an asymmetry, you must seek to understand what the asymmetry is due to. You may see a client who can move one arm back nicely but not the other. If there is scoliosis or a spine deformity, the client might have an asymmetry where one shoulder is being rotated forward. 

  • If there is no scoliosis or spine abnormality, then what is happening at the shoulder blade?
  • Is there a winging of the shoulder blade or poor organization of the shoulder blade?
  • What is happening at the glenohumeral joint?
  • How is it in relationship to the rest of the shoulder girdle?

Assessment Tip: Circle back to the client’s history.

  • Did they have an injury?  
  • Is there any nerve pain? (A brachial plexus lesion could easily cause a limitation in bringing the arm up to 90/90.)

Critical Reasoning: Inquire about the client’s habitual patterns, as some of these daily patterns can create asymmetries, for example:

  • Someone who is always using the computer mouse with tension the right shoulder.
  • Someone who sleeps on one side causeing the shoulder to collapse forward.

The PT and medical world uses what’s called “upper limb tension testing”, one of which tests is to bring the arm up to 90/90 and then straighten it.  A significant amount of people who have had brachial plexus lesions or a thoracic outlet syndrome lose the ability to bring one side up.

Assessment Tip: When an asymmetry is present in an assessment, remember to put a “red flag” on it. Asymmetry means there could have been an injury or something else going on that is challenging the movement. 

Keep in mind – As we Assess we are always:

  • Ruling out
  • Asking questions
  • Seeking to understand:  “What possibly might be causing this?” 

Get the most out of your Assessment and Earn 24 NPCP CEU’s this Summer!

Join us for our upcoming immersion into Critical Reasoning and Assessment Skills:

Critical Reasoning for Rehabilitation and Post Rehabilitation, held this June in Siler City, NC with Polestar Founder Brent Anderson.

How to Motivate your Clients to Keep Moving

Article by By Polestar Educator Carlos Marin Burguillos

Polestar Pilates celebrates 30 Years of Movens Mundi “Moving the World”. Make this year amazing for your clients by motivating them to keep moving!


The definition of adherence to treatment, according to the World Health Organization (WHO), is:

“the extent to which a person’s behavior — taking medication, following a diet, and/or executing lifestyle changes — corresponds with the agreed recommendations from a healthcare provider.”

Adherence to an exercise program or a certain activity, in this case, Pilates, is something fundamental to ensuring the healthy objectives the practice generates are obtained. For this reason, we are going to explore the possible influences, variables, and tools we can implement in our teaching to make this happen.

It should be noted that adherence to physical activity is influenced by the motivation of the subject since it is a psychological component that controls the direction, intensity, and permanence of the behavior (Murcia,2007).

In fact, motivation determines the initiation, maintenance, and completion of behaviors in which we are involved, and its analysis can help us to understand how people begin and continue in physical exercise (Deci and Ryan, 1985). The Theory of Self-determination (Deci and Ryan, 1985), an explanatory model of human motivation, directly relates self-determination to intrinsic motivation. Intrinsic motivation is what drives us to do things for the simple joy of doing them. The execution of the task itself is the reward. To be intrinsically motivated is to take on a problem as a personal challenge. It is to face it just to find its solution, with no hope or longing for an external reward for doing it (Jiménez, 2007). 

This is why being aware of the achievements obtained and the mere enjoyment of the sessions are two essential factors to facilitate motivation and therefore adherence to the pilates program. In this order of things, our work as Pilates professionals gives us a multitude of options to promote the intrinsic motivation of our students and thus improve adherence to the method. 

To facilitate its practical application, I would like to divide these endless elements into two large groups: the development of the program and the pedagogy during the sessions.


DEVELOPMENT OF THE PROGRAM:

In this section, we will cover topics from the selection of objectives to planning the “base exercises” integral to achieving each of these objectives in a session.

In order to maintain and improve the intrinsic motivation of the student, it is important that the exercises chosen are within the student’s comfort zone and close to their limit, allowing for an achievable challenge with determined effort.

As teachers trained in Polestar Pilates we have two tools developed with this purpose in mind:

Polestar Fitness Screening(PFS): A tool through which we can precisely determine the functional objectives for a specific client, to be best able to adapt to their needs.

Polestar Program Design & Sequencing Guide: A tool in which we define the essential exercises of the program according to the objectives determined in the PFS and the ever-changing capacities of the student throughout the program. This we combine with the categories of movement which facilitate developing the program by integrating all planes of movement, positions, and apparatus.

In short, it is about the program being adaptable enough to change instantly to meet the physical and mental state of the student, not the other way around. 

This is most easily achieved in individual classes, where we can modify the pre-established program in a very efficient and immediate way; but how do we achieve this in group classes, regardless of how small they are? 

When working in a group setting, each student presents different characteristics and objectives. Because of this, a personalized adaptation of programming is diminished and we need other tools to give the sessions a certain “mobility”. 

In addition to the basic progressions and regressions of each exercise and the option of creating homogenous single level groups (which is not always possible), I propose three ideas that have been very useful for my study:

  • Before the student joins the group and after the “evaluation of movement ”(PFS), invite them to do at least a couple of private sessions to lay a foundation that at the very least reviews potentially dangerous movements and movements requiring the most modifications for said student. This allows the student to feel more comfortable when joining the group, autonomous, and therefore safe when just by saying “Antonio, the shoulders”, the client knows exactly what you mean, and you can continue the group class with this individual cueing. 
  • Evolve each exercise almost “from zero”, even if it is one repetition for each modification. This will help your students to “enter the movement” and become aware of the state of their body in that precise moment for that specific gesture, to feel the progression in the effort, need for control, coordination, etc., and decide with criteria where to stop or how far to continue with the progression of the exercise.
  • Carry out a collective evaluation once every season (or determined number of weeks) in which each student scores themself, without the intention of “qualifying”, but rather to determine the progress and the points still to be reinforced at the individual level, and mark some general guidelines or “keys” that facilitate the most deficit movements. It will serve as positive reinforcement for the students who already have them integrated and give a boost to those who need it.

PEDAGOGY DURING THE SESSION:

Pedagogy is a general theory of learning that studies the laws of the general process of education and training with an emphasis on creating a learning environment that is suitable to multiple learning styles. I include in this group everything related to the way of teaching during Pilates sessions, which has an influence on the intrinsic motivation of the student.

It is essential to keep the student’s attention focused on the session so that learning can occur. Although many of the factors that influence this process are endogenous to the student, we can significantly influence this process.

LANGUAGE: Let’s divide language into “verbal” and non “verbal” to analyze the way in which it influences attention and student motivation

NON-VERBAL: Non-verbal communication is defined as a process where we transmit information to another person without using any type of word, spoken or written.

Nonverbal communication includes:

  • Gestures
  • Facial expression
  • Eye contact
  • Body language
  • Posture
  • Clothing
  • Spatial distance
  • Physical appearance
  • Rhythm
  • Intonation, and tone of voice

Playing with these variables offers endless possibilities and therefore can significantly influence the perception of the exercise by the student.

For example, the act of walking around the room and placing yourself in different points can influence the students feeling of integration, even more so if you look at each student, nod or smile, or approach and speak privately to a specific student with a lower tone of voice if the moment requires. Take into account the response of each student to these gestures, as not all students feel comfortable when they receive special attention or see their personal space “invaded”. Again the adaptability of your non-verbal language to each concrete learner is the key to success to maintain their focus and motivation.

VERBAL: Verbal communication uses words to convey a message. I propose several ideas that cover various objectives that will influence the intrinsic motivation of your students:

  • Words are associated with connotations beyond their own meaning. For example: “Trying” to do something implies the idea of ​​failure if it is not achieved. This can frustrate more competitive and less skilled students. I propose the word “explore”, where each action becomes part of an exploratory process with no glitches or errors, but movement options.
  • Talk about what you do want your students to do. Sometimes we try so hard to say what “could go wrong” that we are unintentionally pushing our student towards that option, or posing “success” as something so unattainable that it blocks any intention of movement. Look at the difference between these two instructions: “lift your leg and try not to move your pelvis at all ”, vs “raise your leg and feel how your pelvis rests heavily on the mat ”.
  • Use language that is accessible to your students. Using technical language does not elevate your status as a teacher, and what’s more, it could create a gulf between you and the student, making it difficult to communicate. This can generate frustration if the students are unable to understand the exercise when it is supposed to be something within their reach. What’s more, I suggest that you use colloquial words, and from time to time use a joke to break the tension, grab the attention of your students and generate an atmosphere of trust in the session.
  • Teach simply. Sometimes we want to say so many things about the exercise that after two minutes of explanation we still have not transmitted what movement we are asking our students to perform. I propose a simple scheme avoid falling into this error:
  1. Describe the initial position (if it coincides with the end of the previous exercise, eliminate this step).
  1. Define the base movement of the exercise (if it entails any real risk for the student, now is the time to comment. Otherwise, it gives rise to error, because experience is where you learn).
  1. State the objective of the exercise (you do not have to do it explicitly, just state what you want the student to achieve).
  1. Propose some guideline or technical indication that facilitates the achievement of the objective.
  1. Observe the execution and decide if it is necessary to make any correction (touch or verbal), reinforce some part of the exercise, or reward a specific gesture.
  1. If necessary, create a loop between the previous two, or add modifications in the exercise returning to point 2.

TYPE OF INSTRUCTION

In the same way that you can decide what kind of teacher to be (the serious teacher, the authoritarian, the joker), you can choose the way to approach an exercise. Apart from the general teaching guidelines which are more concrete, I propose some fun options:

  • Games: When playing a game, you are able to grasp the attention of your students and help them tap into a more playful feeling. This facilitates interaction between students and creates a bond between them that favors adherence to the method. A simple way to incorporate a game is to have students maintain a certain position that requires balance and have them pass various objects to each other, such as balls with different weights.
  • Simon Says: Once a specific exercise has been explained, modify some aspect with each consecutive repetition. This will keep the student’s attention, in addition to challenging their ability to react to external changes. For example, during one-legged footwork, alternate between one leg and the other, toe or heel of the foot, place of support on the bar, etc.
  • Give it a Turn: Create a sequence of fluid movement in which each gesture links with the following, and when they have it fully integrated, reverse the order of execution, or vary the order of the parts.
  • Improvise: Give specific guidelines that determine the essence of the exercise according to its objective, and suggest that they move the rest of their body freely and even randomly. You can put on music and give them time to express themselves and explore freely.

I hope that this small compilation of ideas has been interesting and especially useful if you decide to put them into practice.Carlos Marin Burguillos Educator for Polestar Pilates Spain, Valladolid.


REFERENCES

Jimenez, M. Intrinsic motivation. Competence, self-determination, and control. On:

Fernández-Abascal, E .; Jimenez, M .; Martín, M. Emotion and motivation: Human adaptation.

Madrid: Ramón Acelles S. A. Study Center, 2007.

Deci, E .; Ryan, R. Self-determination theory: A macrotheory of human motivation,

development, and health. Canadian Psychology, v. 49, n. 3, p. 182-185, 2008.

Murcia, J.A., Gimeno, E.C., & Coll, D.G. (2007). Analyzing motivation in sport a

study through the theory of self-determination. Apuntes de Psicología, 25 (1), 35-51.

Community Highlight: Polestar Practitioner Peter Clerkin

In your own words – describe “the Spirit of Polestar”:

PC: Using Pilates as a tool to create a positive movement experience.

What Three Words come to mind when you think of “Polestar Pilates”?

Holistic

Evolved

Legacy

What do you love about teaching Pilates?

PC: I love teaching because I can express and articulate what is good about Pilates as people do it – I know that a class or an individual person will feel better than they did before at the end of the session and I love to be present to see that change occur. I took my teacher training in London and my educators were Liz Bussey and Diane Nye.

What are your current Inspirations?  

PC: My current inspirations are researchers and physiotherapists trying to understand pain science so that it can be applied to Pilates, or movement practices in general, as a way to build resiliency in our clients. Polestar Educator Juan Nieto does a lot of good work in condensing this research and making it applicable to Pilates

Why Pilates?  How did you find the practice?

PC: I have been a Pilates teacher for almost 10 years – before that, I coached youth sports and earned an undergraduate degree in Sport and Exercise Science. Movement fascinates me and Pilates is a wonderful way of moving and making shapes that is in the moment, fun, and rewarding. Afterward, you feel improved emotional and mental health, and the physical, mental and emotional benefits continue the more you practice.

Pilates takes me into flow more than any other activity.

Why Polestar Pilates?  How did you come to join the Polestar Community?

PC: I felt that it was the gold standard regarding teacher training and I love that across the world we can all find common ground with the training and methods we use.

What do you hope to convey in your teaching?

PC: Moving is vital to being healthy and living a varied and fulfilling life. Also, that it can be fun, explorative, collaborative, and a way to understand your own unique body.

What is your favorite Quote? 

PC:

“The only constant is change”

Simple but powerful, I interpret it as trying to embrace what may come next and adapt to that rather than expecting things to be a certain way.

What is your Favorite Apparatus or favorite way to move?

PC: I love the ladder barrel – I think because a lot of the other apparatus are similar to each other. I like that the ladder barrel is a wonderful way of moving through many directions with your spine and also as a way to perform movements with a greater range of motion around the major joints.


You can find Peter on social media @peterdoespilates and discover teacher training opportunities here.

Unlock the Myth of Intra-Abdominal Pressure


What Is Intra-Abdominal Pressure And Why Does It Matter? 

Intra-abdominal (IAP) pressure is defined as the steady-state pressure concealed within the abdominal cavity and resulting from the interaction between the abdominal wall and viscera; IAP oscillates according to respiratory phase and abdominal wall resistance.

How do we educate people who have lost the capacity to appropriately use intra-abdominal pressure?  Think about the following statement: The appropriate amount of stiffness for the anticipated activity. What does this best describe? Stability? Core Control? Powerhouse? All of these things? 

The answer is all of them. Whether we are talking about stability, the powerhouse, or core control, we should be talking about the same concept. That is, does someone have the right amount of support for the anticipated load or activity? I intentionally use the word anticipated. The brain is using information from past experiences to determine the best approach. This enables us without thinking to know how much stiffness to create in preparation for picking up a jug of milk versus a bag of dried leaves for example.

Joseph Pilates implied that the powerhouse is where things start. What kind of tools do we as movement practitioners have to facilitate the appropriate amount of stiffness for the anticipated load? When asked how they would rank the greatest influencers of intra-abdominal pressure, our #PilatesHour webinar attendees answered as follows:  

A lot of people think it is about muscle control or abdominal strength. This is not the case. When we talk about the abdominal wall and intra-abdominal pressure with our clients, we often confuse them. This is because intra-abdominal pressure involves much more than just the abdominal wall. Intra-abdominal pressure is the stiffness inside the trunk, particularly in between the chest and the pelvic floor. It is this stiffness that is necessary to control the amount of movement based on the load. 

The Power Of Breath 

Breath is a powerful influencer of intra-abdominal pressure. The diaphragm is in fact one of the primary muscles and controllers of intra-abdominal pressure. Some people do not utilize the breath or the diaphragm efficiently or as part of dynamic control. This provides a terrific opportunity for Pilates instructors to affect IAP simply through training efficient and supportive breath patterns. 

The appropriate amount of stiffness is going to be determined by the activity and facilitated by proper alignment. For example, holding your breath in and of itself will create stiffness, but does it create the appropriate amount of stiffness? Is this a stiffness or support that can be maintained for a period of time? Proper alignment and practice lead to efficient and successful movement that seldom has to do with core strength. 

Most of our bodies are given the appropriate amount of strength to be able to handle the movements we choose to participate in. That does not mean that tomorrow, with my body in its current condition, I can go out and perform a 400-pound deadlift if I chose to. I am not conditioned for this activity, nor do I have a need to lift 400 pounds.

However, if I were training to perform that specific loaded movement, my body would naturally start gaining strength by steadily increasing the deadlift weight. Tissue adaptation would happen, meaning that my abdominal wall, my back muscles, and my pelvic floor would all start to change based on the demand that I would be making on those tissues. 

This leads to the question, How much control, mobility, or stiffness is necessary to accomplish the task at hand? 

Let’s say the box in this photo weighs 40 pounds. What parts of his body must recruit and create stiffness to keep him from falling? What if the box were 100 pounds, vs 15 pounds. How would that change the situation? 

When we look at the dynamic movement of kicking a ball, what are they doing and what muscles must be turned on for the person in the photo to be able to kick the ball? Which fascial trains or slings are being activated or tensioned to be able to have the appropriate amount of control of the trunk so that their leg and body can accelerate the foot through space and kick the ball down the field? 

How can we support clients in improving the efficiency of their intra-abdominal pressure? 

  1. Help them find their optimal alignment 
  1. Help them find efficient breath patterns within their optimal alignment 
  1. Progressively load them, working always within ranges where they can maintain the above 
  1. Work through the above points to help them perform the activities in which they want to participate 

With this basic introduction to intra-abdominal pressure, we see that it is more about alignment, breath, and load than focused abdominal work. I encourage you to try facilitating the above points with your clients and see how their quality of movement and integration with activity improve. 


Brent Anderson, PhD, PT, OCS, NCPT is the President and Founder of Polestar Pilates International. Brent is a licensed physical therapist and orthopedic certified specialist with more than 22 years of experience. Based on his extensive background in rehabilitation and movement science, Brent elaborates on Joseph Pilates’ mind-body work through the Polestar curriculum by developing tools for critical reasoning and applying supportive scientific research. He also infuses the integral role of psychology and energy systems on motor control and motor learning.


Brent hosts our weekly webinar #PilatesHour featuring special guests from the movement science field and Polestar community. Watch episode 82 “The Science And Myth of Intra-Abdominal Pressure” here.

Community Highlight: Carlos Marin Burguillos

Carlos Marin Burguillos is an Educator for Polestar Pilates Spain. Discover how to keep your clients motivated to move with Carlos here.


In your own words – describe “the Spirit of Polestar”

CM: It is a way to rediscover natural movement, under the principles of science and self-exploration.

What Three Words come to mind when you think of “Polestar Pilates”

Family

Commitment

Movement

What do you love about teaching Pilates?

CM: I have always loved to train and from a very young age, I frequented gyms. Understanding the why and how of movement multiplied the effects of my fitness training.

Being an educator of future teachers means sharing everything I have learned over the years, in movement and in life. I believe that each person moves and understands movement in a special way, and having the opportunity to share my unique perspective makes me feel whole.

In my Pilates studio, we teach students different ways of moving so that each one can internalize in a way that best suits their way of life. I believe that the freedom to teach and explore within the principles of Polestar is what has helped my students the most to feel good within their bodies.

What are your current Inspirations?  

CM: Currently, I am very dedicated to my movement studies. Leading teacher training courses with Polestar is a window for me to share what I know with others who are moving in the same direction. I would love to be able to convey the little ideas that I develop throughout my experience with as many people as possible.

Why Pilates?  How did you find the practice?

CM: Pilates is the medium and the purpose is to feel good in the body. I learned about Pilates through a friend who suggested I take a class, and since then I have lived from it, for it and with it.

I think that the evolution of science and learning places me more in using the “pilates environment” than sticking to the traditional exercises as shown in the manuals. Knowing why and how to do things is important!

Why Polestar Pilates? 

CM: Polestar was the first school I trained with. I have also completed many courses with other schools. Polestar is a family to me and I have felt continuous accompaniment and support in all areas of my life from Polestar Spain. Polestar International makes it possible for this symbiosis to exist.

What do you hope to convey in your teaching?

CM: I hope to convey the knowledge of the principles to be able to help clients set objectives and carry them out. From there I hope to convey my point of view of the movement – how the support points create the stability necessary to release into the movement.

What is your favorite Quote? 

CM: First move – Then move well – Then move around a lot – And then improvise and be happy.

What is your Favorite Apparatus or favorite way to move?

CM: I think the Reformer is the most versatile apparatus, especially when teaching a group. All of the Pilates apparatus provide options and environments that enable learning.


Carlos is an Educator for Polestar Spain – You can find Carlos on social media @carlosmarin_move

Community Highlight: Edwin Carvalho de Oliveria

What Three Words come to mind when you think of Polestar?

  • Community
  • Movement
  • Quality

What do you love about teaching Pilates?

ECO: I love the possibility to offer people a better and more active lifestyle.

Where did you take your Training and who was the educator?

ECO: I am going through the comprehensive teacher training in Jacksonville, FL with Polestar Educator Lynn Peterson.

Why Pilates?  How did you find the practice?

ECO: I started to practice Pilates when I was performing in a dance company with my Pilates teacher, Selma França, an educator from Brazil.

Why Polestar Pilates?  How did you come to join the Polestar Community?

ECO: I used to practice Pilates and many other systems of movement we had to in the dance company. In our schedule, we had Pilates three times per week. Years after practicing with Selma at Bale Jovem de Salvador, I started going to Physio Pilates Ondina with Alice Becker to watch and assist her classes.

What do you hope to convey in your teaching?

ECO: Hope and reliability.

What is your favorite Quote? 

ECO:

“Choose a job you love and you will never have to work a day in your life”.

ECO: I apply this teaching 4 days a week, I also move my body every day. I love what I do.

What is your Favorite Apparatus or favorite way to move?

ECO: I love Mat work because of all the possibilities it offers, it also gives you autonomy to practice no matter where you are!


You can find Edwin on Social media @edwiincarvalhoo

For more information on Teacher Training visit our website polestarpilates.com