Pilates Class

The Best Teachers Teach in the Moment

How would you describe your presence in the Pilates Studio? Cheerful, affectionate, grounded, powerful, indulgent? How is it that two Pilates teachers can lead the same exercise, using similar cues, yet one of them leaves you feeling great and the other falls flat. This is the nuance that presence brings to a session. As a teacher trainer, one of my biggest goals is to equip students with the tools necessary to teach a safe and thoughtful class as well as to cultivate their presence.

How do we do that? Is this even measurable? Below I offer some tips and suggestions for cultivating presence in your teaching. – Nichole Anderson, NCPT, Director of Curriculum

Practice Teaching a Simple Task Authentically 

For new teachers, finding your authentic voice can be a daunting task. You are busy remembering the basics of each exercise, attempting to follow the sequence you planned out. On top of that, trying to keep everyone safe. There is also the added pressure of being seen and having a feeling of performing in front of others. 

What is the simplest way to find your voice and style as a teacher? Practice teaching something simple to a friend. The goal is to teach a rote task, one where you don’t have to think about the steps or language involved. For me, it’s teaching someone how to make a peanut butter and jelly sandwich. Because of the simplicity of this, your personality and uniqueness are able to shine through.

Take the time to notice the feeling of teaching this small task. What kind of language comes naturally to you? Do you make jokes? Are you more straight forward? Try recording yourself teaching this task and go with your gut instinct on if it feels authentic to you. Practice bringing this authenticity into your classes. 


Gain Perspective: Record yourself teaching 

As an expansion from the idea above, record yourself teaching Pilates. This can be as simple as recording your screen when teaching a virtual class. With permission, you could leave your smartphone set up in the studio while you teach a client. During your initial review of the session, practice moving to your own instructions. Notice how your language makes you feel as a mover. Do you feel that the teaching is clear, inspiring, and thoughtful?  

Next, watch the video without sound. Your physical presence in the space of the Pilates studio is as important if not more important than the words you say. Notice how you move throughout the space. Do you gravitate to one area of the studio? Are you spending approximately equal time in the space of each of your clients? What does your body language suggest? 

Finally, listen to the audio of the recording. Listen to the words you use and the tone and timbre of your voice. Does your voice match the intensity of the movement? Is it supportive? Do you sound interested? This is a practice that can be done indefinitely and will always give you opportunities for growth. 

Show Up Early and Grounded  

We all know the feeling of being late for an appointment. Even worse is the feeling of being late to teach a Pilates class! When we are under stress our body creates the stress hormone cortisol. This causes our heart rate to increase and our blood pressure to spike. If you want to show up for your clients authentically and be fully present with your calm and centered self – show up early!

When you come prepared to teach your Pilates class early you will have time to ground yourself with a centering practice. This will support you in feeling fully ready to be present with your clients. We all have lives outside of the studio. I find that leaving the stressors of your personal life at the studio door allows you to be fully present with your clients. 

Make The Shift To Teaching Mode

It’s always ideal to have ample time to shift into teaching mode. What happens if you end up running late to teach? A brief grounding practice will help you be present in the studio. When you arrive a grounding practice can help you focus on what is happening in the moment. Grounding practices vary greatly, and I encourage you to find something that works for you. Some teachers like washing their hands and others like to tidy up the studio space. Both are calming, organizing, and refreshing.

My favorite way to ground myself before teaching Pilates is to do Pilates! Showing up early to the studio will give you time to jump on a piece of apparatus or the mat. Ground yourself in your body and with your breath in preparation to assist your clients in doing the same!  

Create A Routine

Create your own grounding routine and ritual by testing out what practices help you feel calm and centered when you arrive at the studio. Some teachers swear by saying hello to every person they pass on their way to the studio. This can help even if that is only one person at the front desk. The practice allows you to practice engagement, eye contact and using your voice before you begin teaching. All of which are things you will want to do with your clients.

Pre-teaching rituals to support grounding: 

  • Listen to a familiar playlist to get in the mood to teach 
  • Take a class before the class you are leading 
  • Get enough rest, food, and water before teaching 
  • Arrive early to ensure time to shift from your personal life into your professional life 
     

Check-In: Connect with Your Students

What separates a mediocre teacher from an incredible teacher? It’s the ability of the incredible teacher to make everyone in their classes feel seen. How do we do this? Greet your clients! In a group setting, this can sometimes feel awkward. There is nothing worse than a teacher who is on their phone or standing around not making eye contact as the students roll in. 

Ask questions before the class to determine how students are feeling. What are their goals for the session? Use this time to acknowledge that you see the students individually. “Hi Kevin, did you end up going skiing this weekend? How did that feel?” Acknowledging the students facilitates connection and camaraderie with you as the teacher as well as with each other. In a virtual setting, this can help them feel connected even if they are not in the same space. This will help develop a rapport which is a good indicator of if a client will return.

Learn your client’s names! When teaching group classes, I try to always greet people by name and ask new students their names so that I can refer to them personally throughout the class. Teach from a standpoint of allowing clients autonomy. Let them know you are supporting them in their exploration of moving their bodies. If you see clients struggling, give options that let you know you see them struggling. You are there to help them move successfully!

Be Yourself!

I hope these tips serve as a reminder of the value of presence while teaching. Bring your full self to your teaching practice and remember – being distracted will always come through in your teaching. We have the opportunity as Pilates instructors to help people feel amazing every time they enter our classes. Give them your full attention and notice how your client list grows.


Become a Pilates Instructor with Polestar! Explore our Comprehensive Program and check out Nichole on #PilatesHour episode 80 “Sharpening Your Teaching Skills”.

How to Motivate your Clients to Keep Moving

Article by By Polestar Educator Carlos Marin Burguillos

Polestar Pilates celebrates 30 Years of Movens Mundi “Moving the World”. Make this year amazing for your clients by motivating them to keep moving!


The definition of adherence to treatment, according to the World Health Organization (WHO), is:

“the extent to which a person’s behavior — taking medication, following a diet, and/or executing lifestyle changes — corresponds with the agreed recommendations from a healthcare provider.”

Adherence to an exercise program or a certain activity, in this case, Pilates, is something fundamental to ensuring the healthy objectives the practice generates are obtained. For this reason, we are going to explore the possible influences, variables, and tools we can implement in our teaching to make this happen.

It should be noted that adherence to physical activity is influenced by the motivation of the subject since it is a psychological component that controls the direction, intensity, and permanence of the behavior (Murcia,2007).

In fact, motivation determines the initiation, maintenance, and completion of behaviors in which we are involved, and its analysis can help us to understand how people begin and continue in physical exercise (Deci and Ryan, 1985). The Theory of Self-determination (Deci and Ryan, 1985), an explanatory model of human motivation, directly relates self-determination to intrinsic motivation. Intrinsic motivation is what drives us to do things for the simple joy of doing them. The execution of the task itself is the reward. To be intrinsically motivated is to take on a problem as a personal challenge. It is to face it just to find its solution, with no hope or longing for an external reward for doing it (Jiménez, 2007). 

This is why being aware of the achievements obtained and the mere enjoyment of the sessions are two essential factors to facilitate motivation and therefore adherence to the pilates program. In this order of things, our work as Pilates professionals gives us a multitude of options to promote the intrinsic motivation of our students and thus improve adherence to the method. 

To facilitate its practical application, I would like to divide these endless elements into two large groups: the development of the program and the pedagogy during the sessions.


DEVELOPMENT OF THE PROGRAM:

In this section, we will cover topics from the selection of objectives to planning the “base exercises” integral to achieving each of these objectives in a session.

In order to maintain and improve the intrinsic motivation of the student, it is important that the exercises chosen are within the student’s comfort zone and close to their limit, allowing for an achievable challenge with determined effort.

As teachers trained in Polestar Pilates we have two tools developed with this purpose in mind:

Polestar Fitness Screening(PFS): A tool through which we can precisely determine the functional objectives for a specific client, to be best able to adapt to their needs.

Polestar Program Design & Sequencing Guide: A tool in which we define the essential exercises of the program according to the objectives determined in the PFS and the ever-changing capacities of the student throughout the program. This we combine with the categories of movement which facilitate developing the program by integrating all planes of movement, positions, and apparatus.

In short, it is about the program being adaptable enough to change instantly to meet the physical and mental state of the student, not the other way around. 

This is most easily achieved in individual classes, where we can modify the pre-established program in a very efficient and immediate way; but how do we achieve this in group classes, regardless of how small they are? 

When working in a group setting, each student presents different characteristics and objectives. Because of this, a personalized adaptation of programming is diminished and we need other tools to give the sessions a certain “mobility”. 

In addition to the basic progressions and regressions of each exercise and the option of creating homogenous single level groups (which is not always possible), I propose three ideas that have been very useful for my study:

  • Before the student joins the group and after the “evaluation of movement ”(PFS), invite them to do at least a couple of private sessions to lay a foundation that at the very least reviews potentially dangerous movements and movements requiring the most modifications for said student. This allows the student to feel more comfortable when joining the group, autonomous, and therefore safe when just by saying “Antonio, the shoulders”, the client knows exactly what you mean, and you can continue the group class with this individual cueing. 
  • Evolve each exercise almost “from zero”, even if it is one repetition for each modification. This will help your students to “enter the movement” and become aware of the state of their body in that precise moment for that specific gesture, to feel the progression in the effort, need for control, coordination, etc., and decide with criteria where to stop or how far to continue with the progression of the exercise.
  • Carry out a collective evaluation once every season (or determined number of weeks) in which each student scores themself, without the intention of “qualifying”, but rather to determine the progress and the points still to be reinforced at the individual level, and mark some general guidelines or “keys” that facilitate the most deficit movements. It will serve as positive reinforcement for the students who already have them integrated and give a boost to those who need it.

PEDAGOGY DURING THE SESSION:

Pedagogy is a general theory of learning that studies the laws of the general process of education and training with an emphasis on creating a learning environment that is suitable to multiple learning styles. I include in this group everything related to the way of teaching during Pilates sessions, which has an influence on the intrinsic motivation of the student.

It is essential to keep the student’s attention focused on the session so that learning can occur. Although many of the factors that influence this process are endogenous to the student, we can significantly influence this process.

LANGUAGE: Let’s divide language into “verbal” and non “verbal” to analyze the way in which it influences attention and student motivation

NON-VERBAL: Non-verbal communication is defined as a process where we transmit information to another person without using any type of word, spoken or written.

Nonverbal communication includes:

  • Gestures
  • Facial expression
  • Eye contact
  • Body language
  • Posture
  • Clothing
  • Spatial distance
  • Physical appearance
  • Rhythm
  • Intonation, and tone of voice

Playing with these variables offers endless possibilities and therefore can significantly influence the perception of the exercise by the student.

For example, the act of walking around the room and placing yourself in different points can influence the students feeling of integration, even more so if you look at each student, nod or smile, or approach and speak privately to a specific student with a lower tone of voice if the moment requires. Take into account the response of each student to these gestures, as not all students feel comfortable when they receive special attention or see their personal space “invaded”. Again the adaptability of your non-verbal language to each concrete learner is the key to success to maintain their focus and motivation.

VERBAL: Verbal communication uses words to convey a message. I propose several ideas that cover various objectives that will influence the intrinsic motivation of your students:

  • Words are associated with connotations beyond their own meaning. For example: “Trying” to do something implies the idea of ​​failure if it is not achieved. This can frustrate more competitive and less skilled students. I propose the word “explore”, where each action becomes part of an exploratory process with no glitches or errors, but movement options.
  • Talk about what you do want your students to do. Sometimes we try so hard to say what “could go wrong” that we are unintentionally pushing our student towards that option, or posing “success” as something so unattainable that it blocks any intention of movement. Look at the difference between these two instructions: “lift your leg and try not to move your pelvis at all ”, vs “raise your leg and feel how your pelvis rests heavily on the mat ”.
  • Use language that is accessible to your students. Using technical language does not elevate your status as a teacher, and what’s more, it could create a gulf between you and the student, making it difficult to communicate. This can generate frustration if the students are unable to understand the exercise when it is supposed to be something within their reach. What’s more, I suggest that you use colloquial words, and from time to time use a joke to break the tension, grab the attention of your students and generate an atmosphere of trust in the session.
  • Teach simply. Sometimes we want to say so many things about the exercise that after two minutes of explanation we still have not transmitted what movement we are asking our students to perform. I propose a simple scheme avoid falling into this error:
  1. Describe the initial position (if it coincides with the end of the previous exercise, eliminate this step).
  1. Define the base movement of the exercise (if it entails any real risk for the student, now is the time to comment. Otherwise, it gives rise to error, because experience is where you learn).
  1. State the objective of the exercise (you do not have to do it explicitly, just state what you want the student to achieve).
  1. Propose some guideline or technical indication that facilitates the achievement of the objective.
  1. Observe the execution and decide if it is necessary to make any correction (touch or verbal), reinforce some part of the exercise, or reward a specific gesture.
  1. If necessary, create a loop between the previous two, or add modifications in the exercise returning to point 2.

TYPE OF INSTRUCTION

In the same way that you can decide what kind of teacher to be (the serious teacher, the authoritarian, the joker), you can choose the way to approach an exercise. Apart from the general teaching guidelines which are more concrete, I propose some fun options:

  • Games: When playing a game, you are able to grasp the attention of your students and help them tap into a more playful feeling. This facilitates interaction between students and creates a bond between them that favors adherence to the method. A simple way to incorporate a game is to have students maintain a certain position that requires balance and have them pass various objects to each other, such as balls with different weights.
  • Simon Says: Once a specific exercise has been explained, modify some aspect with each consecutive repetition. This will keep the student’s attention, in addition to challenging their ability to react to external changes. For example, during one-legged footwork, alternate between one leg and the other, toe or heel of the foot, place of support on the bar, etc.
  • Give it a Turn: Create a sequence of fluid movement in which each gesture links with the following, and when they have it fully integrated, reverse the order of execution, or vary the order of the parts.
  • Improvise: Give specific guidelines that determine the essence of the exercise according to its objective, and suggest that they move the rest of their body freely and even randomly. You can put on music and give them time to express themselves and explore freely.

I hope that this small compilation of ideas has been interesting and especially useful if you decide to put them into practice.Carlos Marin Burguillos Educator for Polestar Pilates Spain, Valladolid.


REFERENCES

Jimenez, M. Intrinsic motivation. Competence, self-determination, and control. On:

Fernández-Abascal, E .; Jimenez, M .; Martín, M. Emotion and motivation: Human adaptation.

Madrid: Ramón Acelles S. A. Study Center, 2007.

Deci, E .; Ryan, R. Self-determination theory: A macrotheory of human motivation,

development, and health. Canadian Psychology, v. 49, n. 3, p. 182-185, 2008.

Murcia, J.A., Gimeno, E.C., & Coll, D.G. (2007). Analyzing motivation in sport a

study through the theory of self-determination. Apuntes de Psicología, 25 (1), 35-51.

Factors to Design the Best Pilates Session: Part I

Does the “magic” Pilates class exist? One that serves both the student and the instructor? How are the best exercises chosen? Can a session be suitable for each and every member of the class? We’ll explore how to design the perfect class… 


Having a clear intention and focus is essential in choosing the exercises that are going to provide a positive and focused motor experience for your clients. 

It’s important to keep in mind that not every exercise or transition will be 100% appropriate for everyone. For an individual or private session, we take into account the specific circumstances of the student, their needs and their objectives. When we talk about group sessions (either collective or small group), we must look for a balanced group objective that addresses the entire body. In this case it is very helpful to have clear distinctions between the levels of each class: if the student is in an inappropriate class level, they may not be able to follow the class or it will be too simple, boring or insufficient. 

Whether it be an advanced Pilates session, a beginner class or a session for the rehabilitation of an injury, planning is essential.  

We recommend that you always perform a functional assessment and conduct an interview with your students to know their habits, lifestyle, sports practice, etc.  It is important to plan subsequent assessment sessions in order to evaluate the efficacy of your program design, changes in the student, and to subsequently adjust the program if the desired changes in the student have not been produced. This assessment tool also helps us communicate to the student their progress . 

It’s a good habit to keep a “logbook” of your classes where you can write down information about each student that may be relevant in relation to their movement.  This logbook can also be useful for you as the instructor in evaluating the level of your classes and how your students are performing and improving. 

In our next post we will go in depth on how to develop a movement program based on effective and quality Pilates, under the premises we follow in Polestar Pilates. Do not miss it! 

Before adding a new student to your Pilates classes, do you have them fill out a questionnaire? Do you do an interview or a functional assessment? Tell us what works best for you.


Learn more about Polestar Pilates Spain

If It’s Available…

In any movement practice that you teach, you will encounter students of all levels and ability. The Pilates industry caters to many different class settings, environments, and sizes. I used to teach group mat classes that had both seasoned movers and an elderly lady that could not get on the floor without assistance. Currently I teach mostly semi privates; the differences in any two bodies, even roughly at the same level, are vast. How is an instructor supposed to handle these differences? How are we supposed to keep our clients safe and still meet their goals? How can we teach the same class to so many different bodies? Here is a way you can make make multilevel classes work.
 I have a magic phrase that I use multiple times a day: “…if it’s available.”
When I am cueing through an exercise and need to make it more challenging for one student but not the other I use these words. It does a couple of things for me. First of all, it makes the client have to take initiative in their own practice. They can choose separately if the next level is in fact available to them or not. Secondly, I’m not drawing attention to them by saying, you on the right do this, and you on the left do that. Thirdly, I am often shocked who chooses the harder way. Several instances come to mind when my “lower level” client executes the progression seamlessly and with ease and grace. It’s an awesome surprise and it makes me rethink how I initially looked at that person. On the other hand, the more “advanced” client sometimes chooses not to take the progression. Regardless of why, maybe they’re tired, don’t feel good or its simply too hard for them, these clients don’t feel like they are regressing,  and instead are honoring what feels good for their body. 
 
Here is an example of how I use it. Let’s say we are doing thigh stretch on the tower. I have set up the exercise and we have done a few rounds and when one or all look clean and ready to progress, I say: “If it’s available to you, scoot two inches forward towards your tower. It will create less spring tension and you will have to rely on your body more to come up to tall kneeling. Or you can stay where you are and repeat.” Sometimes everyone moves, no one moves, or they try to move forward, see it’s not for them and move back to the original spot. Wording it this way creates an environment of choice and independence.
 
I didn’t realize I said this phrase so often until after class one day a new client came to talk to me at the end of a session. She told me that she appreciated my choice of words. This person had come from another studio and was always the one that the instructor verbally pointed out and made modifications for. It made her leave Pilates feeling disempowered and a little embarrassed, even though the other instructor was probably doing only what they thought was best. 
 
 Now don’t get me wrong, this doesn’t work in every situation and sometimes the clients choose the progression a little too early for their body. But it’s a good stepping stone to work with multilevel classes. Try it and see if it works for you, only if its available!
Written By Polestar Graduate and Practitioner Becky Phares of Lafayette Louisiana.
Find Becky on Social Media: @the_body_initiative 
Like the Blog? Subscribe to Polestar Life Weekly and be the First in the Know!